Accompanying the exhibition, we also designed the catalogue of essays and works. This built further upon ideas we used in the exhibition of patterning and vibrant colours. Using the three variations of reproduced Memphis patterns as section breakers, and the abstract forms of the cover, that appear alongside the striking image of Grace Jones. The page layouts inside use the same typefaces as the show, Fairplex by Emigré for the body text, and Compacta for titles. Set as a two column grid, which allowed images to sit at a range of sizes to show images product detailing and contextual photography.