About

A Practice for Everyday Life is a design agency working with some of the world’s most successful companies, galleries, institutions and individuals. We create a diverse range of work including brand identities, art direction, signage & wayfinding, exhibition design, print, editorial & publishing and websites from concept to production.

We investigate, explore and experiment to draw together stories which can translate and transform the ordinary into the extraordinary. This approach has always led to thoughtful and inspired design solutions, and earned us a reputation for crafting intelligent, beautiful and innovative work.

We have established an exceptional reputation through work for Architects’ Journal, British Council, Phillips de Pury, Tate Modern & Britain, Victoria & Albert Museum and Wellcome Trust and are an increasingly sought after partner for collaborations with architects, curators, creative directors and photographers.

Contact

Address

A Practice for Everyday Life

Unit 16, 5 Durham Yard
Teesdale Street, London E2 6QF

T +44 20 7739 9975 js-replace

Map

Employment

If you are interested in doing an internship with us please email a PDF of your work and CV to js-replace

Clients & Associates

Selected Clients

Onkar Kular

Accept No Other Imitations

This publication we produced for Onkar Kular provides a glimpse into the research he carried out during a research fellowship at the Design Interactions department of the Royal College of Art. The book itself is just the beginning of his fascination with popular culture, and the projects he documents within celebrate people's ability to imagine their own worlds. Onkar developed a number of design proposals inspired by a collection of tales from these 'inner worlds'. Which ranged from Punch and Judy's Revenge – a public performance where children were invited to take on the persona of Punch and Judy in order to destroy official Disney merchandise – to a Super Hero's sports day. It was important to keep this simple, with each page being metaphorically split into 2 halves. The bottom half illustrating the small collection of tales, and the larger top half documenting Onkar's thoughts.