Exhibition Graphics, Printed Material and Publication
In its 25th year, Tate felt it was time to commission an identity for the Turner Prize that represented the artists’ work and reflected its reputation as the UK’s foremost contemporary art prize. The identity combines an adapted ‘Prize’ version of the Tate typeface, and a logo is used in combination with images of the four nominees’ work. A visitor’s comments room featured cork walls for visitors to post their comments, and badges featuring the name of each artist were available free in the exhibition so the public could take their favourite as a way of casting their own vote.
2008 Turner Prize nominees: Runa Islam, Mark Leckey, Goshka Macuga, Cathy Wilkes
Credits: Furniture design by Michael Marriott
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Exhibition Graphics, Printed Material and Publication
The second year of our work on the Turner Prize continued the identity we had created for Tate in 2008.
2009 Turner Prize nominees: Enrico David, Roger Hiorns, Lucy Skaer, Richard Wright
Credits: Furniture design by Michael Marriott
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Exhibition Graphics, Printed Material and Publication
In 2010, our 3rd year of working on the Turner Prize exhibition, Tate wanted to move the comments room for Turner Prize into the digital age. We collaborated with associates Hellicar & Lewis to create a ‘Twitter wall’ in the gallery. The original cork notice board became a live comments feed projected onto the gallery wall from visitor’s SMS messages or ‘tweets’ that continually updated and scrolled as you watched, sometimes creating comments and debate among visitors in real time.
2010 nominees: Dexter Dalwood, Angela de la Cruz, Susan Philipsz and The Otolith Group
Credits: Furniture design by Michael Marriott
Twitter wall in collaboration with Hellicar & Lewis
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