About

A Practice for Everyday Life is a design agency working with some of the world’s most successful companies, galleries, institutions and individuals. We create a diverse range of work including brand identities, art direction, signage & wayfinding, exhibition design, print, editorial & publishing and websites from concept to production.

We investigate, explore and experiment to draw together stories which can translate and transform the ordinary into the extraordinary. This approach has always led to thoughtful and inspired design solutions, and earned us a reputation for crafting intelligent, beautiful and innovative work.

We have established an exceptional reputation through work for Architects’ Journal, British Council, Phillips de Pury, Tate Modern & Britain, Victoria & Albert Museum and Wellcome Trust and are an increasingly sought after partner for collaborations with architects, curators, creative directors and photographers.

Contact

Address

A Practice for Everyday Life

Unit 16, 5 Durham Yard
Teesdale Street, London E2 6QF

T +44 20 7739 9975 js-replace

Map

Employment

If you are interested in doing an internship with us please email a PDF of your work and CV to js-replace

We are currently looking for a studio assistant intern – if you would like to apply, please send your CV to js-replace

Clients & Associates

Selected Clients

Selected Associates

Lund Humphries

The Art and Craft of Richard Woods

Publication

Richard Woods practices at the convergence of art, architecture and design. Encompassing the past twelve years of his career, this book functions as a scrapbook of works, ideas and production processes in Woods’ studio, and showcases his work across a variety of media including installations, paintings, sculptures, furniture, fabric and print. Throughout the book, vividly reproduced images of Woods’ finished works are interspersed with sketches, working notes and shots from inside his studio, and are accompanied by commissioned essays and facsimiles of press releases, email exchanges and magazine articles. Divider pages cut through the book as the only design intervention amidst the assortment of collected ephemera, and the scrapbook-like feel of the publication is accentuated on the cover, where the title is silkscreened over an image of one of Woods’ works.

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