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13 February 2017

David Hockney

Tate Britain’s new David Hockney retrospective has just opened—it has already broken records as Tate’s fastest-selling exhibition ever, and spans sixty years of the artist’s career. Tate have published an extensive catalogue to accompany the exhibition, which we are very proud to have designed.

The catalogue is a full-career retrospective of Hockney’s work, including over 200 images, and there are two editions: hardcover and softcover, both at 270pp. The hardcover edition has foil-blocked type on a bright orange paper; the typeface, Bureau Grot Compressed, is based on grotesques designed by Stephenson Blake in the 1800s in Sheffield, Yorkshire, the county of Hockney’s birth.

The exhibition runs until 29 May at Tate Britain before touring to the Centre Pompidou, Paris, and the Metropolitan Museum, New York, later this year. Be sure to pick up a copy of the catalogue if you visit!

tate.org.uk

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25 January 2017

Librairie Marian Goodman

The launch of Librairie Marian Goodman took place this week at 66 rue du Temple in Le Marais, Paris. The Librairie is Marian Goodman Gallery’s second Paris-based space, and combines a street-facing bookshop with a small exhibition space, located across the street from their main premises. We’ve been working with Marian Goodman Gallery and architects OMMX on the new space: art directing the interior fit-out, creating signage for the exterior façade, and designing the packaging for the bookshop, which offers for sale a broad range of art books, exhibition catalogues, printed matter and artists’ editions.

mariangoodman.com

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17 January 2017

Book Launch

We’ve just received the first copies of Revolt of the Sage, the new book we’ve designed for Blain Southern. The book acts as an extension of the exhibition of the same name, which is currently open at their gallery on Hanover Square until 21 January.

The exhibition and book both take their title from a work by Italian artist Giorgio de Chirico, painted in 1916, which depicts a crowded collection of ephemeral and everyday objects inhabiting a setting described by de Chirico as a ‘metaphysical interior’.

Revolt of the Sage explores this notion of a metaphysical interior, gathering together the work of a range of artists who use collage, juxtaposition, fragments, framing devices and layered imagery to explore ruptures in time and the alluring mysteries of the everyday. The book acts as a companion to the exhibition and also extends its ideas, including additional images of works that don’t appear in the show. The cover, right, juxtaposes a photograph of a bust of the Roman god Janus with an abstracted graphic reminiscent of mid-century book cover designs.

The book launch for Revolt of the Sage is being held tomorrow, 19 January from 7pm at Blain Southern, and will include readings from the book. The exhibition itself is open until 21 January, so if you’ve not visited yet, you’ve still got time to catch its last few days!

blainsouthern.com

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9 December 2016

New Edition

The Practice of Everyday Life

We’ve launched a new edition of prints in the APFEL shop this month—a set of six typographic arrangements based on the book that inspired our studio’s name, The Practice of Everyday Life by Michel de Certeau. We selected passages from the text that particularly resonated with our own thinking, and set each in a playful typographic arrangement. The prints are presented in a screen-printed folder and are available in an edition of 40 from the APFEL Shop. Get your copy here.

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9 November 2016

Permanent Collection

We’ve been working this year with curators Mariah Nielson and Fanny Singer on the identity and packaging for Permanent Collection, their new line of women’s clothing, accessories and objects. Permanent Collection is inspired by the approach to acquisition taken by museums of international renown, and presents a range of elegant, minimal and versatile products based on historical designs.

Alongside their first collections, Mariah and Fanny have also produced a printed art journal called Works on Paper, which we designed. It offers them the opportunity to commission writing and criticism on the subject of both art and design—for this first issue, they asked contributors to consider the theme of collecting and collections.

Permanent Collection is holding a special launch this weekend at Spree in Paris. Coincidentally, the venue’s beautiful Le Corbusier facade bears more than a passing resemblance to the debossed type on the cover of Works on Paper issue 1!

permanentcollection.com

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